No one could sing about furniture like Dionne Warwick and make it sound oh, so beautiful.
“A chair is still a chair, even when there is no one sitting there, …”
A House is not a Home, Burt Bacharach and Hal David, 1964
Even if we accept Dionne Warwick’s lovely statement, we know that a chair is more than a plain utilitarian thing. A seat, a log, a stone, on which we park our hindquarters. A formless idea, Plato would say, whose essence lies only in its purpose.
A chair should be a thing of beauty, and a joy forever.
Gustav Stickley burst onto the American scene at the turn of the 20th century, creating what he called “New Furniture.” In time it took a new name, Mission. With his new designs, he challenged conventional wisdom. For Stickley, it was the age of the artisan, the workers who made the objects, the materials they worked with, and the functional, as well as the artistic value of the products.
“When a home is born out of a man’s heart and developed through his labor and perfected by his sense of beauty, it is the very cornerstone of life.”
Gustav Stickley on the Art of Living
From Gustav Stickley to Marissa Brown, the new product design developer of Stickley, the Stickley chair has been a thing of beauty and joy forever.